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LEMON BUCKET ORKESTRA Release New Album Worldwide via Six Degrees Records

Lemon Bucket Orkestra are Toronto’s original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are “gorgeously sung and passionately played” and The New York Times declared them “charismatic…handsome and ambitious.”

Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience – ranging from the ecstatic to the cathartic and all points in between – and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released worldwide on August 10th via a new deal with Six Degrees Records.

The band will be bringing the new material and their notoriously engaging live show out on an 11 date US release tour starting September 14th (see below for a complete list tour dates). Two years in the making, the new album once again draws its repertoire and inspiration from a myriad of folk traditions across Eastern Europe. But unlike their two previous albums (2012’s Lume, Lume and 2015’s Moorka), which were both just collections of individual, unrelated songs, IIHTS explores an overarching narrative through line, to tell a much bigger story. “This is an album about coming home, about never being the same, about the parts of ourselves we lose, the parts we gain, and about the prisons we inhabit or that inhabit us,” says Lemon Bucket Orkestra ringleader, Mark Marczyk.

With IIHTS, the increasingly dynamic and theatrical group have created a song cycle inspired by a century old Slavic prison ballad that tells the story of a young rebel coming home after laying it all on the line. The work draws emotional weight from the band’s personal experiences with the Ukraine-Russia conflict, but it also highlights the dozen strong ensemble’s party-punk roots and attitude, developed and honed since their formative days busking on the streets of Toronto. “We start in a musty train car overlooking the fields and valleys of our youth through permanently smudged windows, reflecting on the life that once was and wondering how we can face our mothers, with the horrifying fact that we will never be the beloved boys or girls we once were,” Marczyk says, expanding on the album’s conceptual theme. “Then, with a sudden jolt we are transported to the memory of what led us to this moment and we’re sprinting for dear life in a struggle to keep ahead of our past selves. The whole album navigates between the shaky train car and a series of flashbacks – in the language of eastern European folklore – the main site of resistance and celebration for the Lemon Bucket Orkestra for the better part of the past decade.”

Documenting Lemon Bucket Orkestra at the height of its musical powers, the new album also features a compelling list of special guests; from beloved Canadian soprano, Measha Brueggergosman, to Montreal-based Latino rapper, Boogat, to a triumphant-yet-tragic 60 strong reading of the late Adrienne Cooper’s Sholem by the mighty Choir!Choir!Choir! Weaving in and out of the prison ballad theme, the work takes listeners on an emotional journey exploring trauma and tragedy through the lens of musical exploration and communal celebration.

Lemon Bucket Orkestra has been wowing international audiences for close to a decade now, bringing their unstoppable and infectious musical mayhem to stages and streets far and wide. Voted Toronto’s Best Live Band by the readers of NOW Magazine, the band’s previous album, Moorka, took home a 2015 Canadian Folk Music Award for World Group of the Year, and was nominated for a 2016 JUNO award for World Music Album of the Year. The band is best known for its raucous parties, impromptu street performances and legendary live shows. But in the last year, they have also made a mark with their powerful and award winning ‘guerrilla folk opera,’ Counting Sheep (which features the entire band as the cast). The unique theatre experience has already played for enthusiastic audiences in Canada, Scotland, Ireland, the UK, Germany and the US (where it has run in Berkeley, Stanford and NYC) and will be staged again at the Vault Festival in the UK in early 2019.

“The album is a statement of resistance and celebration,” Marczyk concludes. “We’re guerrilla-folk party punks both imprisoned and liberated by eastern European folklore. The title track (borrowed from the late great Adrienne Cooper) says it all: ‘If I had the strength, I would run in the streets – I would scream PEACE! PEACE! PEACE!’ This album records the process of gathering that strength and the obstacles that we encounter along the way.”

Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)


If I Had The Strength – Tracklist

  1. The Game
  2. Crooked
  3. Fate
  4. Goodbye (feat. Zilen Biret)
  5. Soldat
  6. Freedom (feat. John David Williams)
  7. When
  8. Palinka (feat. Boogat)
  9. Cocoon
  10. Heroes (feat. Measha Brueggergossman)
  11. Peace (feat. Choir!Choir!Choir!)

2018 US Release Tour Dates:

Sept 14 – World Music Festival, Madison WI

Sept 15 – Landfall Festival, Cedar Rapids IA

Sept 19 – Global Roots Festival, Minneapolis MN

Sept 20 – Gibson Music Hall, Appleton WI

Sept 21 – Anodyne, Milwaukee WI

Sept 22 – Globalquerque, Albuquerque NM

Sept 25 – Brillo Box, Pittsburgh PA

Sept 26 – Drom, New York NY

Sept 27 – Martyrs, Chicago IL

Sept 28 – Lotus Festival, Bloomington IN

Sept 29 – Lotus Festival, Bloomington IN


 Press Quotes

“The band vibrates with an irrepressible passion and playful humor that’s impossible to ignore. Their arrangements manage to feel loose and tight all at once as a series of soloists get caught up in the crazed energy and pull out all the stops. Penguin Eggs Magazine

When LBO ditched the stage and jumped in with the crowd they cemented themselves a place in WOMAD lore.” Taranaki Daily News

“LBO’s middle of the crowd finish might just be the moment of WOMAD 2018!”. Stuff Magazine

“Amazing, frenetic, gloriously anarchic and ultimately joyous!” Winnipeg Free Press

“Adventurous, multicultural and amazing!” The Wall Street Journal 

“A collective triumph for everyone in the room!” Exclaim Magazine

 “A truly exhilarating performance!” The Guardian

“A Juno Award nomination, and several albums later, the impressive Toronto-based group is still reaching new audiences around the world.” WBEZ Chicago

“Riotous!” New Canadian Music

Tour Dates